{"title":"约翰·科尔特兰饰演Prayed Glossolalia的爱情至上","authors":"J. Rowlands","doi":"10.1163/17455251-02801007","DOIUrl":null,"url":null,"abstract":"In this article the author offers a theological reading of John Coltrane’s seminal 1965 album, A Love Supreme. He suggests it is feasible to interpret Coltrane’s work as a musical parallel of sorts to the phenomenon of praying in tongues. The author contends that such a reading is not only possible but also desirable, since it issues a challenge to the modern Church regarding its worship practices and the use of glossolalia, making the issue important for modern Pentecostal Christian communities.","PeriodicalId":41687,"journal":{"name":"Journal of Pentecostal Theology","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/17455251-02801007","citationCount":"0","resultStr":"{\"title\":\"John Coltrane’s A Love Supreme as Prayed Glossolalia\",\"authors\":\"J. Rowlands\",\"doi\":\"10.1163/17455251-02801007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article the author offers a theological reading of John Coltrane’s seminal 1965 album, A Love Supreme. He suggests it is feasible to interpret Coltrane’s work as a musical parallel of sorts to the phenomenon of praying in tongues. The author contends that such a reading is not only possible but also desirable, since it issues a challenge to the modern Church regarding its worship practices and the use of glossolalia, making the issue important for modern Pentecostal Christian communities.\",\"PeriodicalId\":41687,\"journal\":{\"name\":\"Journal of Pentecostal Theology\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-03-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/17455251-02801007\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Pentecostal Theology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/17455251-02801007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Pentecostal Theology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/17455251-02801007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
John Coltrane’s A Love Supreme as Prayed Glossolalia
In this article the author offers a theological reading of John Coltrane’s seminal 1965 album, A Love Supreme. He suggests it is feasible to interpret Coltrane’s work as a musical parallel of sorts to the phenomenon of praying in tongues. The author contends that such a reading is not only possible but also desirable, since it issues a challenge to the modern Church regarding its worship practices and the use of glossolalia, making the issue important for modern Pentecostal Christian communities.
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