《一群流氓》:理查德·海德和爱尔兰流浪汉

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
D. Clark
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引用次数: 0

摘要

对犯罪小说起源的重新定义导致了对早期文本的重新兴趣,这些文本不遵循爱伦·坡/福尔摩斯标准的犯罪写作经典所青睐的客观和经验方法。与前现代的谜故事一样,早期现代的流氓叙事也提供了一个重新评估这一类型起源的有趣领域。爱尔兰文学有着丰富的“流氓”叙事历史,大量借鉴了伊比利亚流浪汉小说的传统,但又根据爱尔兰的特殊情况进行了改编,为爱尔兰犯罪文学的起源提供了一个迷人的一瞥。理查德·黑德的《英国流氓》(1665)是第一次将伊比利亚流浪汉小说模式应用到英语语境中,这是非常重要的。后来威廉·查伊瑙和查尔斯·利弗对流浪汉小说的使用揭示了这种西班牙模式如何独特地适应爱尔兰的环境,并影响了爱尔兰作家的主流和犯罪叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“A Company of Rogues”: Richard Head and the Irish Picaresque
Redefinitions of the origins of crime fiction have led to a renewed interest in earlier texts which do not follow the objective and empirical methods favoured by the standard Poe/Holmes canon of crime writing. As well as pre-modern enigma tales, early modern rogue narratives also provide an interesting field with which to reappraise the origins of the genre. Irish writing has a rich history of “rogue” narratives which, borrowing heavily from the Iberian picaresque tradition but adapting this to the particular circumstances of Ireland, provides a fascinating glimpse into the origins of Irish crime writing. Richard Head’s The English Rogue (1665) is of enormous importance as the first concerted application of Iberian picaresque models to an English-language context. The later use of the picaresque by William Chaigneau and Charles Lever would reveal how this Spanish model was uniquely adaptable to Irish circumstances and would influence both mainstream and crime narratives by Irish authors.
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来源期刊
Estudios Irlandeses
Estudios Irlandeses HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
19
审稿时长
16 weeks
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