乔治·菲利普·泰勒曼（George Philipp Telemann）的《利勃哈贝·达蒙的新冠肺炎》（1724）：维也纳田园剧向道德讽刺的转变

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2020-03-10 DOI:10.3986/dmd16.1.02

Livio Marcaletti

引用次数: 0

摘要

根据约翰·马特森的说法，悲剧和喜剧属于18种歌剧类型。19世纪的汉堡也有讽刺作品（“Strafspiel”）。这篇文章展示了格奥尔格·菲利普·泰勒曼如何将我在阿卡迪亚讽刺的意大利田园歌剧（1714年，维也纳）转变为讽刺不忠情人的《Strafspiel》达蒙（1724年，汉堡）。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Der neumodische Liebhaber Damon (1724) Georga Philippa Telemanna: predelava dunajske pastoralne igre v moralno satiro

oleg tragedij in komedij so po Johannu Matthesonu med operne zvrsti 18. stoletja v Hamburgu sodile tudi satire (»Strafspiel«). Članek prikazuje, kako je Georg Philipp Telemann italijansko pastoralno opero I satiri in Arcadia (Dunaj 1714) preoblikoval v »Strafspiel« Damon (Hamburg 1724), satiro nezvestega ljubimca.

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

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0.00%

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期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.