非洲博物馆及其参与关于ICOM新博物馆定义的辩论

IF 0.1 Q3 HISTORY
Kristina Bekenova
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引用次数: 0

摘要

摘要从2017年到2022年,ICOM致力于改变2007年对博物馆的定义,使其适应21世纪的挑战和责任。为了使这一过程透明化和参与性,ICOM邀请所有感兴趣的利益相关者提交他们对博物馆的愿景。截至2019年4月,在提出的269个新博物馆定义中,只有17个定义的非洲仍然是讨论博物馆重新解释和概念最不活跃的地区。2020年,在京都推迟投票后启动的额外磋商获得了超过60%的欧洲大陆回应。为了正确理解非洲的参与和贡献,文章分析了博物馆作为一个机构是如何产生历史的,它是如何随着时间的推移而合法化的,以及2022年布拉格新批准的定义是否真正具有变革性和代表性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
African museums and their participation in the debates on the ICOM new museum definition
ABSTRACT From 2017 to 2022, ICOM worked on changing the 2007 definition of a museum to make it accord the challenges and responsibilities of the twenty-first century. To make the process transparent and participatory, ICOM invited all interested stakeholders to submit their vision of a museum. By April 2019, out of 269 new museum definitions proposed, Africa, with only 17 definitions, remained the least active region in the discussion of the reinterpretation and reconceptualisation of a museum. Additional consultations initiated in 2020 after the postponed vote in Kyoto got over a 60% rate of responses from the continent. To understand African participation and contribution properly, the article analyses how a museum as an institution has come into historical being, how it has been legitimised over time, and whether or not the newly approved definition in Prague, 2022, is truly transformative and representative for Africa.
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CiteScore
0.50
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