{"title":"实验戏剧奖学金的人物和地点:计算概述","authors":"Miguel Escobar Varela","doi":"10.1017/S0040557422000552","DOIUrl":null,"url":null,"abstract":"The “experimental” playwrights of continental Europe have been experimental not because they have imitated modern literature or poetry, but because they have sought to express themselves in theatrical terms, and the great directors, like Jouvet, Barrault, Viertel, and Brecht have been there to make their plays “exist” on the stage.","PeriodicalId":42777,"journal":{"name":"THEATRE SURVEY","volume":"64 1","pages":"71 - 90"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The People and Places of Experimental Theatre Scholarship: A Computational Overview\",\"authors\":\"Miguel Escobar Varela\",\"doi\":\"10.1017/S0040557422000552\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The “experimental” playwrights of continental Europe have been experimental not because they have imitated modern literature or poetry, but because they have sought to express themselves in theatrical terms, and the great directors, like Jouvet, Barrault, Viertel, and Brecht have been there to make their plays “exist” on the stage.\",\"PeriodicalId\":42777,\"journal\":{\"name\":\"THEATRE SURVEY\",\"volume\":\"64 1\",\"pages\":\"71 - 90\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"THEATRE SURVEY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0040557422000552\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"THEATRE SURVEY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0040557422000552","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
The People and Places of Experimental Theatre Scholarship: A Computational Overview
The “experimental” playwrights of continental Europe have been experimental not because they have imitated modern literature or poetry, but because they have sought to express themselves in theatrical terms, and the great directors, like Jouvet, Barrault, Viertel, and Brecht have been there to make their plays “exist” on the stage.
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