在新歌剧中把自我放在一边:关于“我是自恋者”的共同创作动力

IF 0.5 4区 艺术学 0 MUSIC
Tempo Pub Date : 2023-09-01 DOI:10.1017/S004029822300030X
Carles Vicent Pascual, J. Besada
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引用次数: 0

摘要

摘要众所周知,歌剧界是一个自我经常冲突的职业群体,但歌剧艺术的复杂性往往严重依赖于合作实践。本文讨论了由作曲家拉奎尔·加西亚·托马斯、编剧海伦娜·托内罗和舞台导演玛尔塔·帕佐斯共同创作的漫画歌剧《Je suis自恋者》的首演。通过对这个艺术团队的一系列采访,以及对其首演的剧本、配乐和纪录片录像的仔细审查,我们发现了这次合作的三个重要特征,尤其是在第八幕中。这些是:在所涉学科的融合中寻求平衡;减少歌剧动作中某些元素的表现中不希望有的冗余;考虑到首演可用的人力和物力资源的能力。文章还将讨论这些预期策略如何帮助优化排练时间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PUTTING EGO ASIDE IN NEW OPERA: ON THE CO-CREATIVE DYNAMICS AROUND JE SUIS NARCISSISTE
Abstract The world of opera is well known as a professional community in which egos often clash, yet the complexity of the operatic artwork is often heavily dependent on collaborative practice. This article discusses the co-creative dynamics that gave rise to the premiere production of the comic opera Je suis narcissiste, by composer Raquel García-Tomás, librettist Helena Tornero and stage director Marta Pazos. Through a series of interviews with this artistic team, and a scrutiny of the libretto, score and documentary video recording of its premiere, three significant features of this collaboration are flagged, particularly in Act VIII. These are: a quest for balance in the convergence of the disciplines involved; a mitigation of undesired redundancies in the representation of some elements in the action of the opera; a consideration of the capacity of the human and material resources available for the premiere. The article will also discuss how these anticipatory strategies helped to optimise time during rehearsals.
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来源期刊
Tempo
Tempo MUSIC-
CiteScore
0.30
自引率
0.00%
发文量
91
审稿时长
19 weeks
期刊介绍: Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
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