激情政治:民主、发展与印度2019年大选

IF 0.5 3区 社会学 Q3 AREA STUDIES
Lidis Garbovan
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引用次数: 0

摘要

《没有根》描绘了孟加拉农村农民的斗争,强调了文化的丰富性和贫困的危险。电影《玩偶之家》讲述了1971年解放战争期间女性的受害情况,采用杰拉德·吉内特的叙事话语作为电影叙事学的典范。《粘土鸟》、《Meherjaan》和《电视》等过渡电影对孟加拉农村提供了新的视角,挑战了主流叙事,探索了宗教对新技术的反应。第六章
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Passionate politics: democracy, development and India’s 2019 general election
without Roots portray the struggles of rural peasants in Bengal, emphasizing cultural richness and the perils of poverty. The fi lm Dollhouse addresses the victimization of women during the 1971 Liberation War, employing Gerard Genette ’ s Narrative Discourse as a model of fi lm narratology. Transitional fi lms such as The Clay Bird , Meherjaan and Television o ff er fresh perspectives on rural Bengal, challenging prevailing narratives and exploring religious responses to new technologies. In the sixth chapter
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来源期刊
Contemporary South Asia
Contemporary South Asia AREA STUDIES-
CiteScore
2.10
自引率
0.00%
发文量
82
期刊介绍: The countries of South Asia - Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka - are internally diverse and part of global flows of people, goods and ideas. Contemporary South Asia seeks to address the issues of the region by presenting research and analysis which is both cross-regional and multi-disciplinary. The journal encourages the development of new perspectives on the study of South Asia from across the arts and social sciences disciplines. We also welcome contributions to pan-regional and inter-disciplinary analysis. Our aim is to create a vibrant research space to explore the multidimensional issues of concern to scholars working on South Asia and South Asian diasporas in the postcolonial era.
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