{"title":"激情政治:民主、发展与印度2019年大选","authors":"Lidis Garbovan","doi":"10.1080/09584935.2023.2240629","DOIUrl":null,"url":null,"abstract":"without Roots portray the struggles of rural peasants in Bengal, emphasizing cultural richness and the perils of poverty. The fi lm Dollhouse addresses the victimization of women during the 1971 Liberation War, employing Gerard Genette ’ s Narrative Discourse as a model of fi lm narratology. Transitional fi lms such as The Clay Bird , Meherjaan and Television o ff er fresh perspectives on rural Bengal, challenging prevailing narratives and exploring religious responses to new technologies. In the sixth chapter","PeriodicalId":45569,"journal":{"name":"Contemporary South Asia","volume":"31 1","pages":"511 - 512"},"PeriodicalIF":0.5000,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Passionate politics: democracy, development and India’s 2019 general election\",\"authors\":\"Lidis Garbovan\",\"doi\":\"10.1080/09584935.2023.2240629\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"without Roots portray the struggles of rural peasants in Bengal, emphasizing cultural richness and the perils of poverty. The fi lm Dollhouse addresses the victimization of women during the 1971 Liberation War, employing Gerard Genette ’ s Narrative Discourse as a model of fi lm narratology. Transitional fi lms such as The Clay Bird , Meherjaan and Television o ff er fresh perspectives on rural Bengal, challenging prevailing narratives and exploring religious responses to new technologies. In the sixth chapter\",\"PeriodicalId\":45569,\"journal\":{\"name\":\"Contemporary South Asia\",\"volume\":\"31 1\",\"pages\":\"511 - 512\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary South Asia\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/09584935.2023.2240629\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary South Asia","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/09584935.2023.2240629","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
Passionate politics: democracy, development and India’s 2019 general election
without Roots portray the struggles of rural peasants in Bengal, emphasizing cultural richness and the perils of poverty. The fi lm Dollhouse addresses the victimization of women during the 1971 Liberation War, employing Gerard Genette ’ s Narrative Discourse as a model of fi lm narratology. Transitional fi lms such as The Clay Bird , Meherjaan and Television o ff er fresh perspectives on rural Bengal, challenging prevailing narratives and exploring religious responses to new technologies. In the sixth chapter
期刊介绍:
The countries of South Asia - Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka - are internally diverse and part of global flows of people, goods and ideas. Contemporary South Asia seeks to address the issues of the region by presenting research and analysis which is both cross-regional and multi-disciplinary. The journal encourages the development of new perspectives on the study of South Asia from across the arts and social sciences disciplines. We also welcome contributions to pan-regional and inter-disciplinary analysis. Our aim is to create a vibrant research space to explore the multidimensional issues of concern to scholars working on South Asia and South Asian diasporas in the postcolonial era.