“没有人的手表”:19世纪的资本主义、暂时性和高利贷者的形象

Karin Hoepker
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引用次数: 0

摘要

这篇文章概述了游手好闲者作为一个文化人物的相当模糊的起起落落。从这个词的出现和它对懒惰的矛盾语义开始,我将概述它随后的种族化和区域化,因为它被废奴主义作家挪用,他们把它与白人、贫困和南方男子气概联系在一起。这个词的意义在于,它把对资本主义和种族主义的批评结合在一个懒散的形象中。游民是一个懒散的形象,在其浪漫化和贬低的内涵中,他提醒我们这样一个事实,即美国19世纪的时间性与资本主义和奴隶制的历史紧密地、不可分割地纠缠在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“No-Body’s Watch”: Nineteenth-Century Capitalism, Temporality, and the Figure of the Loafer
This article outlines the rather obscure ascent and fall of the loafer as a cultural figure. Beginning with the emergence of the term and its ambivalent semantics of idleness, I will sketch its subsequent racialization and regionalization, as it was appropriated by abolitionist writers who associated with whiteness, poverty, and southern masculinity. The significance of the term lies in the way it combines criticisms of capitalism and racism in a figure of idleness. A figure of idleness, both in its romanticized and disparaging connotations, the loafer alerts us to the fact that US nineteenth-century temporality is closely and inseparably entangled in the history of capitalism and slavery.
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