Curatorial perspectives on contemporary art and science dealing with interspecies connections

Abstract This article addresses a curatorial position on specific bioart projects dealing with the topic of interspecies relationships of humans and other mammals, insects and plants through three works by Slovenian authors Saša Spačal, Špela Petricˇ and Maja Smrekar. All the artworks are based on a posthumanist perspective, strongly advocating possibilities of equality in interspecies relations and coexistence, and yet also bear a potential for monstrosity. The subjects, modes and procedures of the artworks analysed are compatible with a curatorial practice able to contribute to and facilitate the development of the concepts of life and species. Representing provocative projects is a challenge not only for the artists but also for the curators who are in the position of having to find adequate production, presentation and promotion support for fringe artistic experiments that infiltrate meaningful topics. Curating that involves taking on the responsibility of endorsing risk-taking artistic practices and posthumanist ideas, dealing with ethical, legal and conceptual challenges is referred to as intense curating.