语境符号：作为权威意图的人工制品的数字场景

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2018-12-01 DOI:10.1162/lmj_a_01044

Caitlin Vincent, J. Vincent

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引用次数: 2

摘要

摘要数字技术可以作为一种场景工具，在戏剧空间中投射视觉设置。然而，结合了“虚假互动”或现场表演者和数字元素之间因果关系的幻觉的数字场景也可以作为一种符号形式，通过场景背景以数字方式保存现场表演者的身体运动。本文探讨了伪互动场景作为一种空间记法的潜力，通过这种方法，场景环境可能有助于理解传统短暂空间中的作者意图。

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Notation by Context: Digital Scenography as Artifact of Authorial Intent

Abstract Digital technology can be used as a scenographic tool to project visual settings in the theatrical space. However, digital scenography that incorporates “faux-interactivity,” or the illusion of a causal relationship between live performers and digital elements, can also serve as a form of notation that digitally preserves the physical movement of live performers through scenographic context. This paper explores the potential for faux-interactive scenography as a method of spatial notation through which scenographic environments might contribute to understandings of authorial intent in a traditionally ephemeral space.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

自引率

0.00%

发文量

期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.