打破音乐家的思维：乐器的微小变化会影响你的音乐表现

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-08-08 DOI:10.1080/09298215.2021.1973511

Luiz Naveda, Marília Nunes-Silva

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引用次数: 1

摘要

音乐家和他们的乐器之间的关系影响了整个社会的音乐参与和音乐结构。在这项工作中，我们通过模拟手风琴界面的实验，研究音乐家如何对乐器的变化以及键和音高之间的联系做出反应。17位手风琴演奏家、钢琴家和吉他手参加了这项研究。结果表明，对于相同的任务，手风琴演奏者比非手风琴演奏者更容易受到音乐界面变化的影响。这些观察结果支持扩展认知假说，该假说提出耦合过程，如音乐家-乐器链，可以算作一个完整的认知过程。

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Breaking down the musician’s minds: How small changes in the musical instrument can impair your musical performance

The relationship between musicians and their musical instruments has influenced music engagement and musical structure across societies. In this work, we study how musicians react to changes in their instrument and the associations between keys and pitches using experiments that simulate the interface of the accordion. Seventeen accordionists, pianists and guitarists took part in the study. The results show accordion players are more affected by the changes in the musical interface than non-according players, for the same tasks. These observations support the extended cognition hypothesis, which proposes that coupled processes, such as the musician-instrument chain, count as an entire cognitive process.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.