开启“新加坡新浪潮”

IF 0.3 0 FILM, RADIO, TELEVISION
Asian Cinema Pub Date : 2020-04-01 DOI:10.1386/ac_00010_2
Siao Yuong Fong, H. W. Ng
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引用次数: 2

摘要

作为一个小国的电影院,新加坡电影的影响力超出了它的重量。新加坡电影人获得的一系列国际电影节奖项,以及自2010年代以来在新加坡电影界出版的多本书,似乎标志着该行业的复兴。这篇社论的引言将“新加坡新浪潮”一词作为本期特刊的起点,对新加坡电影业似乎正在发生的变化提出质疑。通过将“新加坡新浪潮”置于全球电影中,本文论证了在一个小国的电影中考虑生存问题的重要性,并扩展了电影学者从传统新浪潮电影中获得批判性见解的方式。更积极的是,这种更广泛的工作定义通过探索电影在传统流派、导演、风格或与新浪潮电影相关的主题之外构成或贡献新浪潮的非传统方式,为更广泛的新浪潮文学增添了内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unpacking the ‘Singapore New Wave’
As the cinema of a small nation, Singapore cinema punches above its weight. The series of international film festival awards won by Singaporean filmmakers alongside the multiple books published on Singapore cinema since the 2010s seem to signal a revival of the industry. This editorial introduction unpacks the term ‘Singapore New Wave’ as a starting point for this special issue to raise questions about the changes that appear to be happening in Singapore’s film industry. By situating the ‘Singapore New Wave’ within global cinema, this essay argues for the importance of considering the issue of survival in the cinema of a small nation, and for an expansion of ways in which film scholars can gain the critical insights traditionally obtained from conventional new wave films. More positively, this more expansive working definition adds to broader new wave literature by exploring unconventional ways in which films can constitute or contribute to a new wave beyond traditional genres, auteurs, styles or themes associated with new wave cinema.
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来源期刊
Asian Cinema
Asian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
6
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