“为什么Céline Sciamma变得如此具有标志性?”:作为名人的导演

IF 0.5 2区 艺术学 0 FILM, RADIO, TELEVISION
G. Vincendeau
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引用次数: 0

摘要

本文探讨了csamline Sciamma的作家形象的公众表达和她的形象(包括她自己的自我呈现)的媒体构建,认为她的高知名度,加上她在银幕内外明确社会相关价值观的能力,将她的文化影响从她电影的精英影迷文化扩展到更大的明星和名人文化领域。在研究中,西阿玛是如何战略性地部署不同的话语来应对不同的选区的,从美学的重申,在法国影迷的环境中带来文化合法性,到针对电影工业和广泛的左翼政治议程的女权主义激进,以及酷儿社区的标志性存在,把她变成了新一代作家的“旗帜手”。通过明星和名人研究的棱镜来考虑这位电影制作人,有助于理解这些明显的矛盾是如何既固有于她作为名人的角色的构建,又固有于21世纪初法国性别政治的复杂文化背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Why has Céline Sciamma become so iconic?’: The auteure as celebrity
ABSTRACT This article explores the public articulations of Céline Sciamma’s authorial persona and the media construction of her image (including her own self-presentation), arguing that her high visibility, combined with her ability to crystallise socially relevant values on and off screen, has broadened her cultural impact from the elite cinephile culture of her films to the larger terrain of stardom and celebrity culture. Under examination is how Sciamma strategically deploys different discourses to address diverse constituencies, from a reaffirmation of aesthetics bringing cultural legitimacy in the French cinephile milieu to feminist militancy aimed at the film industry and a broad left-wing political agenda as well as an iconic presence in the queer community, turning her into a ‘standard-bearer’ for a new generation of auteures. Considering the filmmaker through the prism of star and celebrity studies helps understand how such apparent contradictions are both intrinsic to the construction of her persona as a celebrity and inherent to the complex cultural context of early twenty-first-century gender politics in France.
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来源期刊
French Screen Studies
French Screen Studies FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
50.00%
发文量
31
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