走出森林深处，走向光明:斯涅古罗奇卡的发明作为俄罗斯民族认同的代表

IF 0.2 4区历史学 Q2 HISTORY

RUSSIAN HISTORY-HISTOIRE RUSSE Pub Date : 2019-12-23 DOI:10.1163/18763316-04604004

Ludmila Piters-Hofmann

{"title":"走出森林深处，走向光明:斯涅古罗奇卡的发明作为俄罗斯民族认同的代表","authors":"Ludmila Piters-Hofmann","doi":"10.1163/18763316-04604004","DOIUrl":null,"url":null,"abstract":"\nThe character of Snegurochka [Snow Maiden] has her origin in Russian folktales and is now part of an annual national tradition. The article considers her popularity as a result of different processes of inventing and reinventing national identity and the reflection on cultural heritage initiated through the Russian intelligentsia in the nineteenth and early twentieth centuries. Since her breakthrough as the main character of Nikolai Rimsky-Korsakov’s opera Snegurochka (1882), based on Alexander Ostrovsky’s play in verse of the same name (1873), the amalgamation of different artistic interpretations facilitated her transformation into a representation of national identity, perceived as a product of national community and therefore of the people.","PeriodicalId":43441,"journal":{"name":"RUSSIAN HISTORY-HISTOIRE RUSSE","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/18763316-04604004","citationCount":"2","resultStr":"{\"title\":\"Out of the Deep Woods and Into the Light: The Invention of Snegurochka as a Representation of Russian National Identity\",\"authors\":\"Ludmila Piters-Hofmann\",\"doi\":\"10.1163/18763316-04604004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe character of Snegurochka [Snow Maiden] has her origin in Russian folktales and is now part of an annual national tradition. The article considers her popularity as a result of different processes of inventing and reinventing national identity and the reflection on cultural heritage initiated through the Russian intelligentsia in the nineteenth and early twentieth centuries. Since her breakthrough as the main character of Nikolai Rimsky-Korsakov’s opera Snegurochka (1882), based on Alexander Ostrovsky’s play in verse of the same name (1873), the amalgamation of different artistic interpretations facilitated her transformation into a representation of national identity, perceived as a product of national community and therefore of the people.\",\"PeriodicalId\":43441,\"journal\":{\"name\":\"RUSSIAN HISTORY-HISTOIRE RUSSE\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-12-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/18763316-04604004\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN HISTORY-HISTOIRE RUSSE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18763316-04604004\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN HISTORY-HISTOIRE RUSSE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18763316-04604004","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}

引用次数: 2

摘要

雪女（Snegurochka）这个角色起源于俄罗斯民间故事，现在已成为一年一度的民族传统的一部分。文章认为，她的受欢迎是十九世纪和二十世纪初俄罗斯知识界发明和重塑民族身份的不同过程以及对文化遗产的反思的结果。自从她突破成为尼古拉·里姆斯基·科尔萨科夫的歌剧《Snegurochka》（1882年）的主角以来，不同艺术诠释的融合促进了她转变为民族身份的代表，被视为民族共同体的产物，因此也是人民的产物。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Out of the Deep Woods and Into the Light: The Invention of Snegurochka as a Representation of Russian National Identity

The character of Snegurochka [Snow Maiden] has her origin in Russian folktales and is now part of an annual national tradition. The article considers her popularity as a result of different processes of inventing and reinventing national identity and the reflection on cultural heritage initiated through the Russian intelligentsia in the nineteenth and early twentieth centuries. Since her breakthrough as the main character of Nikolai Rimsky-Korsakov’s opera Snegurochka (1882), based on Alexander Ostrovsky’s play in verse of the same name (1873), the amalgamation of different artistic interpretations facilitated her transformation into a representation of national identity, perceived as a product of national community and therefore of the people.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

RUSSIAN HISTORY-HISTOIRE RUSSE HISTORY-

CiteScore

0.30

自引率

50.00%

发文量

期刊介绍： Russian History’s mission is the publication of original articles on the history of Russia through the centuries, in the assumption that all past experiences are inter-related. Russian History seeks to discover, analyze, and understand the most interesting experiences and relationships and elucidate their causes and consequences. Contributors to the journal take their stand from different perspectives: intellectual, economic and military history, domestic, social and class relations, relations with non-Russian peoples, nutrition and health, all possible events that had an influence on Russia. Russian History is the international platform for the presentation of such findings.