我的想象力。Percorsi di ricerca sulle nuve formme di soggettiviten =表演的意象。主体性新形式的研究路径

IF 0.2 Q4 COMMUNICATION
Valentina Cremonesini
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引用次数: 0

摘要

我在这里介绍的研究路径侧重于对“表演社会”意象的分析。这句话的意思是当代社会的整体结构。一种新的现实形式,根据公司管理方法,从市场角度重新思考个人和社会之间的关系。一种新人类学的生成形式,一种新的主体性观念的生成形式。本文运用现象学的观点对表演主体进行了研究;因此,强调“必须是表演性的”首先也是最重要的,是世界上数百万人越来越认为理所当然的一种规范(和一套典型的含义)。在这项研究中,我分析了一些关注自我管理的最相关的国际出版物,即一套广泛传播的公式,这些公式解决了社会行动者在日常“表现”中不断改进的需求。从这个分析中,我试图理解表演主体的概念是如何被理解和表达的,从而在全球意象中产生越来越多的典型主体形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
L'immaginario della prestazione.Percorsi di ricerca sulle nuove forme di soggettività = The imagery of performance. Research paths on new forms of subjectivity
The research path I am presenting here focuses on an analysis of the imagery of the "Performance Society". This phrase is to be meant as the overall (re)-configuration of contemporary society. A new form of reality, in which the relationship between the individual and society is (re)-thought in market terms, according to a corporate management approach. A generative form of a new anthropology and of a new idea of subjectivity, of performative type. In this essay, the performative subject is investigated resorting to a phenomenological point of view; hence highlighting as "having to be performative" is, first and foremost, a norm (and a set of typified meanings) increasingly taken for granted by millions of individuals in the world. In this study, I have analysed some of the most relevant international publications focusing on self-management, namely that set of widely spread formulae which address the need for constant improvement that social actors experience in their daily "performance". Moving from this analysis, I have tried to understand how the concept of performative subject is meant and represented, hereby contributing to produce – in the global imagery – more and more typical forms of subjectivity.
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