灰烬之书:《吉米·科里根:地球上最聪明的孩子》中的作者说明、公司和家规

IF 0.5 2区 文学 0 LITERATURE
NARRATIVE Pub Date : 2023-05-01 DOI:10.1353/nar.2023.0012
Russell Samolsky
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引用次数: 0

摘要

摘要:本文考察了克里斯·韦尔的《吉米·科里根:地球上最聪明的孩子》中作者指示的结构。为了做到这一点,它首先调查了巧合在韦尔漫画的字面化中所起的作用,然后研究了韦尔将父亲的骨灰瓮纳入他的书的“更正”(或后记)中可能隐藏的或更深刻的危险。我的阅读不同意威尔的说法,即他在漫画中对巧合的艺术运用与生活本身对巧合的盲目展现之间存在着巨大的差距;或者,就像威尔自己说的,在“‘真实’生活和我薄弱的小说之间的天真、愚蠢、无意义的巧合”之间。我的分析并不完全反对韦尔的说法,但它确实使韦尔哀叹“弱小说”失败的观点复杂化了,因为我认为,如果他的家规或指示失败了,它们也自相矛盾地盛行起来。为了证明这一说法是正确的,我试图考虑当在沃尔特·本雅明软弱的弥赛亚主义的背景下阅读韦尔的“软弱小说”时,会发生什么奇怪的事情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Book of Ashes: Authorial Instructions, Incorporations, and House Rules in Jimmy Corrigan: The Smartest Kid on Earth
ABSTRACT:This article examines the apparatus of authorial instructions in Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth. It does so by first investigating the role coincidence plays in the literalization of Ware's comic, and then by examining what might be hidden or more deeply at stake in Ware's incorporation of the urn of his father's ashes into the "corrigenda" (or afterword) of his book. My reading takes issue with Ware's assertion of the gap that yawns between his artistic deployment of coincidence in his comic and the blind unfolding of coincidence in life itself; or, as Ware himself puts it, between the "artless, dumbfoundedly meaningless coincidence of 'real' life and my weak fiction." My analysis does not wholly contest Ware's claim, but it does complicate Ware's lamenting the failure of his "weak fiction" by arguing that if his house rules or instructions fail, they paradoxically also prevail. In order to justify this claim, I try to take account of what strangely happens to Ware's "weak fiction" when read in the context of Walter Benjamin's weak messianism.
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NARRATIVE
NARRATIVE LITERATURE-
CiteScore
1.10
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