奇幻叙事中的恐惧——文学与电影分析

IF 0.1 0 LITERATURE
N. Araújo, José Costa
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引用次数: 0

摘要

本研究旨在分析文学和电影的奇幻叙事中恐惧的表现形式。超自然的主题在虚构的散文中是不变的,这增加了对恐惧和奇幻叙事之间关系的研究。作为理论支持,我们以段义夫(2005)、斯蒂芬·金(2013)、大卫·罗亚斯(2014)、马塞尔·马丁(2003)和雅克·奥蒙特(2013)的文学研究为基础。在研究方法上,采用内容分析模式,采用书目法、探索性法和定性法。小说,作为一种奇妙的叙述,通过质疑由人类创造并强加给人类的制度和信仰的有效性,破坏了我们安全的来源。研究结果表明,奇幻小说的特点是向我们展示了一些现象和情况,这些现象和情况表明了我们对现实的违背。因此,这种与现实的决裂是奇幻叙事的基本效果,这在电影叙事中也得到了探讨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fear in the fantastic narrative IT: a literary and cinematographic analysis
The present study aims to analyze the manifestation of fear in the fantastic narrative It, in both literature and cinema. Supernatural themes are a constant in fictional prose, providing an increase in studies on the relationship between fear and fantastic narratives. As theoretical su- pport, we build on the literary scholarship of Yi-Fu Tuan (2005), Stephen King (2013), David Roas (2014), Marcel Martin (2003) and Jacques Aumont (2013). As for methodology, a con- tent analysis model is adopted in a bibliographic, exploratory and qualitative approach. It, A novel, as a fantastic narrative, destabilizes our sources of security by questioning the validity of the systems and beliefs created by and imposed upon on humanity. The results illustrate how the fantastic genre has been characterized as presenting us phenomena and situations that signal a transgression of our reality. This rupture with the real is, therefore, a fundamen- tal effect of fantastic narratives which have also been explored in cinematic narratives.
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Palabra
Palabra LITERATURE-
CiteScore
0.10
自引率
0.00%
发文量
12
审稿时长
32 weeks
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