{"title":"舞台幻觉","authors":"Anna Tilroe, Jan De Meyer","doi":"10.1080/17561310.2020.1876829","DOIUrl":null,"url":null,"abstract":"Abstract A review of a 1983 exhibition of photographs by Cindy Sherman held at the Stedelijk Museum, Amsterdam, in which the pictures are called Untitled Filmstills. The author of the review, Anna Tilroe, seeks to distinguish between the “reality” of Pop art and the abstractions of “reality” captured in Sherman’s staged images, in which the pose becomes a means of encoding emotions.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"379 - 384"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876829","citationCount":"0","resultStr":"{\"title\":\"The Staged Illusion\",\"authors\":\"Anna Tilroe, Jan De Meyer\",\"doi\":\"10.1080/17561310.2020.1876829\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract A review of a 1983 exhibition of photographs by Cindy Sherman held at the Stedelijk Museum, Amsterdam, in which the pictures are called Untitled Filmstills. The author of the review, Anna Tilroe, seeks to distinguish between the “reality” of Pop art and the abstractions of “reality” captured in Sherman’s staged images, in which the pose becomes a means of encoding emotions.\",\"PeriodicalId\":53629,\"journal\":{\"name\":\"Art in Translation\",\"volume\":\"12 1\",\"pages\":\"379 - 384\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17561310.2020.1876829\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art in Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17561310.2020.1876829\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2020.1876829","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Abstract A review of a 1983 exhibition of photographs by Cindy Sherman held at the Stedelijk Museum, Amsterdam, in which the pictures are called Untitled Filmstills. The author of the review, Anna Tilroe, seeks to distinguish between the “reality” of Pop art and the abstractions of “reality” captured in Sherman’s staged images, in which the pose becomes a means of encoding emotions.