引言:彼得·韦斯与反抗美学

IF 0.4 3区 文学 0 LITERARY THEORY & CRITICISM
K. Evers, J. Hell, Seth Howes
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引用次数: 2

摘要

本文首先追溯了魏斯的《反抗美学》在德国和美国的接受情况。一些评论家关注政治与美学之间的关系,认为这种关系令人担忧,认为小说所谓的过时政治最终使其过时。其他人则将这部小说视为一场写作实验,以紧张但富有成效的方式阐述政治和美学。从维斯文本的这些既定观点出发,编辑们提出了一种阅读方式,将小说理解为有意向未来的阅读敞开大门,这种文本的构思和结构是为了吸引尚未确定未来的读者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: Peter Weiss and The Aesthetics of Resistance
In this introduction the editors first trace the reception of Peter Weiss’s Aesthetics of Resistance in (West) Germany and the United States. Focusing on the relation between politics and aesthetics, some critics characterized this relation as fraught, arguing that the novel’s supposedly outdated politics ultimately rendered it obsolete. Others approached the novel as a writing experiment articulating politics and aesthetics in tense but productive ways. Proceeding and departing from these established views of Weiss’s text, the editors then propose a reading that understands the novel as deliberately opening itself up to future readings, a text conceived and structured to engage readers of not-yet-determined futures.
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来源期刊
NEW GERMAN CRITIQUE
NEW GERMAN CRITIQUE LITERARY THEORY & CRITICISM-
CiteScore
0.40
自引率
0.00%
发文量
17
期刊介绍: Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.
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