{"title":"采访比诺作家安迪·方顿","authors":"J. Caro","doi":"10.1386/stic_00039_7","DOIUrl":null,"url":null,"abstract":"An interview with Andy Fanton, a current writer for the Beano UK children’s humour comic. Andy got his break writing and drawing for the sadly now-defunct Dandy weekly, and currently writes legacy characters such as Minnie the Minx and The Bash Street Kids.\n The interview covers Andy’s and DC Thomson’s working practices and methods, considers the role and relevance of Beano in the transmedia age, and defends Beano from accusations that the comic has lost its edge and is no longer as cheeky or rebellious as it once was.","PeriodicalId":41167,"journal":{"name":"Studies in Comics","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Interview with Beano writer Andy Fanton\",\"authors\":\"J. Caro\",\"doi\":\"10.1386/stic_00039_7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"An interview with Andy Fanton, a current writer for the Beano UK children’s humour comic. Andy got his break writing and drawing for the sadly now-defunct Dandy weekly, and currently writes legacy characters such as Minnie the Minx and The Bash Street Kids.\\n The interview covers Andy’s and DC Thomson’s working practices and methods, considers the role and relevance of Beano in the transmedia age, and defends Beano from accusations that the comic has lost its edge and is no longer as cheeky or rebellious as it once was.\",\"PeriodicalId\":41167,\"journal\":{\"name\":\"Studies in Comics\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Comics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/stic_00039_7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Comics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/stic_00039_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
采访Andy Fanton，英国Beano儿童幽默漫画的现任作家。安迪在为现已停刊的《花花公子》周刊写作和绘画的间隙，目前创作了一些遗留角色，如Minnie the Minx和the Bash Street Kids。采访涵盖了Andy和DC Thomson的工作实践和方法，考虑了Beano在跨媒体时代的作用和相关性，并为Beano辩护，使其免受漫画失去了优势，不再像以前那样厚颜无耻或叛逆的指责。
An interview with Andy Fanton, a current writer for the Beano UK children’s humour comic. Andy got his break writing and drawing for the sadly now-defunct Dandy weekly, and currently writes legacy characters such as Minnie the Minx and The Bash Street Kids.
The interview covers Andy’s and DC Thomson’s working practices and methods, considers the role and relevance of Beano in the transmedia age, and defends Beano from accusations that the comic has lost its edge and is no longer as cheeky or rebellious as it once was.
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