后现代寓言：哈罗德·品特《生日聚会》中的荒诞

IF 0.4 3区文学 0 LITERATURE

ENGLISH Pub Date : 2020-12-01 DOI:10.34293/english.v9i1.3516

Nynu V Jamal

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引用次数: 0

摘要

《生日派对》是英国剧作家、编剧、导演和演员哈罗德·品特创作的一部荒诞派戏剧。他是荒诞派戏剧界最著名的剧作家之一。本文的目的是考察品特的戏剧《生日派对》如何融入荒诞派戏剧的元素。本文还试图解释语言在交流中的脆弱性是如何通过该剧被刻画出来的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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A Postmodern Allegory: Absurdity in Harold Pinter’s The Birthday Party

The Birthday Party is an absurdist play written by the British playwright, screenwriter, director and actor Harold Pinter. He is one of the most celebrated dramatists of the Theatre of the Absurd. The objective of the paper is to examine how Pinter’s play The Birthday Party incorporates the elements of an absurdist play. The paper also tries to explain how the fragility of language to communicate is being portrayed through the play.

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来源期刊

ENGLISH LITERATURE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.