{"title":"安哥拉、莫桑比克、佛得角和几内亚比绍独立出版","authors":"Marcello G. P. Stella","doi":"10.1017/pli.2023.4","DOIUrl":null,"url":null,"abstract":"Abstract Focusing on the work of independent publishers in Lusophone Africa, this article investigates the strategies undertaken by the publishers to develop their catalog and run a publishing house in challenging environments. My examples will be drawn from ongoing initiatives by Filinto Elísio and Márcia Souto (Rosa de Porcelana, Cape Verde), Miguel de Barros and Tony Tcheca (Corubal, Guinea-Bissau), Abdulai Sila (Kusimon, Guinea-Bissau), Luiz Vicente (Nimba Edições, Guinea-Bissau/Portugal), Ondjaki (Kacimbo, Angola), Mbate Pedro, Jessemusse Cacinda, Sandra Tamele, and Dany Wambire (Cavalo do Mar, Ethale Books, Trinta Zero Nove, and Fundza, respectively, Mozambique). Although most scholarship on Luso-African writing has been devoted to the form and content of these literatures, there has been scant attention to the socio-history of publishers.","PeriodicalId":42913,"journal":{"name":"Cambridge Journal of Postcolonial Literary Inquiry","volume":"10 1","pages":"178 - 197"},"PeriodicalIF":0.3000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Independent Publishing in Angola, Mozambique, Cape Verde, and Guinea-Bissau\",\"authors\":\"Marcello G. P. Stella\",\"doi\":\"10.1017/pli.2023.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Focusing on the work of independent publishers in Lusophone Africa, this article investigates the strategies undertaken by the publishers to develop their catalog and run a publishing house in challenging environments. My examples will be drawn from ongoing initiatives by Filinto Elísio and Márcia Souto (Rosa de Porcelana, Cape Verde), Miguel de Barros and Tony Tcheca (Corubal, Guinea-Bissau), Abdulai Sila (Kusimon, Guinea-Bissau), Luiz Vicente (Nimba Edições, Guinea-Bissau/Portugal), Ondjaki (Kacimbo, Angola), Mbate Pedro, Jessemusse Cacinda, Sandra Tamele, and Dany Wambire (Cavalo do Mar, Ethale Books, Trinta Zero Nove, and Fundza, respectively, Mozambique). Although most scholarship on Luso-African writing has been devoted to the form and content of these literatures, there has been scant attention to the socio-history of publishers.\",\"PeriodicalId\":42913,\"journal\":{\"name\":\"Cambridge Journal of Postcolonial Literary Inquiry\",\"volume\":\"10 1\",\"pages\":\"178 - 197\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cambridge Journal of Postcolonial Literary Inquiry\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/pli.2023.4\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cambridge Journal of Postcolonial Literary Inquiry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/pli.2023.4","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
摘要本文以非洲葡语国家独立出版商的工作为研究对象，探讨了在充满挑战的环境下，出版商制定目录和经营出版社所采取的策略。我将以Filinto Elísio和Márcia Souto (Rosa de Porcelana，佛得角)、Miguel de Barros和Tony Tcheca(科卢巴尔，几内亚比绍)、Abdulai Sila(库西蒙，几内亚比绍)、Luiz Vicente(宁巴Edições，几内亚比绍/葡萄牙)、Ondjaki(安哥拉卡辛博)、Mbate Pedro、Jessemusse Cacinda、Sandra Tamele和Dany Wambire (Cavalo do Mar、Ethale Books、Trinta Zero Nove和Fundza，分别来自莫桑比克)为例。虽然大多数关于葡非写作的奖学金一直致力于这些文献的形式和内容，但很少有人关注出版商的社会历史。
Independent Publishing in Angola, Mozambique, Cape Verde, and Guinea-Bissau
Abstract Focusing on the work of independent publishers in Lusophone Africa, this article investigates the strategies undertaken by the publishers to develop their catalog and run a publishing house in challenging environments. My examples will be drawn from ongoing initiatives by Filinto Elísio and Márcia Souto (Rosa de Porcelana, Cape Verde), Miguel de Barros and Tony Tcheca (Corubal, Guinea-Bissau), Abdulai Sila (Kusimon, Guinea-Bissau), Luiz Vicente (Nimba Edições, Guinea-Bissau/Portugal), Ondjaki (Kacimbo, Angola), Mbate Pedro, Jessemusse Cacinda, Sandra Tamele, and Dany Wambire (Cavalo do Mar, Ethale Books, Trinta Zero Nove, and Fundza, respectively, Mozambique). Although most scholarship on Luso-African writing has been devoted to the form and content of these literatures, there has been scant attention to the socio-history of publishers.
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