中等

IF 0.2 3区文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN

INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR Pub Date : 2020-11-09 DOI:10.1515/iasl-2020-0018

S. Hansen

{"title":"中等","authors":"S. Hansen","doi":"10.1515/iasl-2020-0018","DOIUrl":null,"url":null,"abstract":"Abstract Numerous music societies that were the driving forces for opening and establishing an institutionalized concert scene were founded after 1800. This essay studies the core topics these societies had to deal with while asserting themselves in a music scene that gradually became bigger and more complex. Furthermore, this essay examines the extent to which music societies competed against each other by considering the examples of Leipzig and Vienna.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"45 1","pages":"321 - 333"},"PeriodicalIF":0.2000,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/iasl-2020-0018","citationCount":"0","resultStr":"{\"title\":\"Der bürgerliche Konzertkosmos\",\"authors\":\"S. Hansen\",\"doi\":\"10.1515/iasl-2020-0018\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Numerous music societies that were the driving forces for opening and establishing an institutionalized concert scene were founded after 1800. This essay studies the core topics these societies had to deal with while asserting themselves in a music scene that gradually became bigger and more complex. Furthermore, this essay examines the extent to which music societies competed against each other by considering the examples of Leipzig and Vienna.\",\"PeriodicalId\":42506,\"journal\":{\"name\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"volume\":\"45 1\",\"pages\":\"321 - 333\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-11-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1515/iasl-2020-0018\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/iasl-2020-0018\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/iasl-2020-0018","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}

引用次数: 0

摘要

1800年以后，许多音乐社团相继成立，它们是开放和建立制度化音乐会的推动力。本文研究了这些社会在逐渐变得更大更复杂的音乐场景中坚持自己的同时必须处理的核心主题。此外，本文通过考虑莱比锡和维也纳的例子，考察了音乐社会相互竞争的程度。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Der bürgerliche Konzertkosmos

Abstract Numerous music societies that were the driving forces for opening and establishing an institutionalized concert scene were founded after 1800. This essay studies the core topics these societies had to deal with while asserting themselves in a music scene that gradually became bigger and more complex. Furthermore, this essay examines the extent to which music societies competed against each other by considering the examples of Leipzig and Vienna.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-

CiteScore

0.10

自引率

50.00%

发文量