Gabriela Solís Rebolledo, Juan Ignacio del Cueto Ruiz-Funes
{"title":"西塞罗、维特鲁威、丹尼尔·巴巴罗和安德里亚·帕拉第奥:意大利文艺复兴时期发明性格和设计概念的经典创作过程","authors":"Gabriela Solís Rebolledo, Juan Ignacio del Cueto Ruiz-Funes","doi":"10.19130/iifl.ap.2020.1.869","DOIUrl":null,"url":null,"abstract":"The purpose of this research is to elaborate on the problem of the humanist concept of disegno in Italian Renaissance architectural theory, particularly on its interpretation by Andrea Palladio and his theoretical references, emphasizing on projective methodology. The starting point of the analysis lies in the analogy established in antiquity between the creative processes of the forma in Cicero’s discourse and Vitruvius’ architectural forma . The study lays out the importance of classical rhetoric and architecture as the knowledge in which the principles of architectural projects in the Cinquecento were built upon.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.ap.2020.1.869","citationCount":"1","resultStr":"{\"title\":\"Cicerón, Vitruvio, Daniele Barbaro y Andrea Palladio: el proceso creativo clásico de la inventio-dispositio y el concepto de disegno del Renacimiento italiano\",\"authors\":\"Gabriela Solís Rebolledo, Juan Ignacio del Cueto Ruiz-Funes\",\"doi\":\"10.19130/iifl.ap.2020.1.869\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this research is to elaborate on the problem of the humanist concept of disegno in Italian Renaissance architectural theory, particularly on its interpretation by Andrea Palladio and his theoretical references, emphasizing on projective methodology. The starting point of the analysis lies in the analogy established in antiquity between the creative processes of the forma in Cicero’s discourse and Vitruvius’ architectural forma . The study lays out the importance of classical rhetoric and architecture as the knowledge in which the principles of architectural projects in the Cinquecento were built upon.\",\"PeriodicalId\":42007,\"journal\":{\"name\":\"Acta Poetica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.19130/iifl.ap.2020.1.869\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Poetica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19130/iifl.ap.2020.1.869\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Poetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19130/iifl.ap.2020.1.869","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Cicerón, Vitruvio, Daniele Barbaro y Andrea Palladio: el proceso creativo clásico de la inventio-dispositio y el concepto de disegno del Renacimiento italiano
The purpose of this research is to elaborate on the problem of the humanist concept of disegno in Italian Renaissance architectural theory, particularly on its interpretation by Andrea Palladio and his theoretical references, emphasizing on projective methodology. The starting point of the analysis lies in the analogy established in antiquity between the creative processes of the forma in Cicero’s discourse and Vitruvius’ architectural forma . The study lays out the importance of classical rhetoric and architecture as the knowledge in which the principles of architectural projects in the Cinquecento were built upon.
期刊介绍:
Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.