乱石之巢:保罗·纳什的地质现实主义

Q2 Arts and Humanities
A. Reid
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引用次数: 1

摘要

本文以二十世纪初和两次世界大战期间的地质发现为背景,阅读了英国艺术家保罗·纳什的作品。在Arthur Holmes领导并在其著作《地球时代》中介绍的英国开创性地球物理研究之后,放射性的新知识改变了人们对现实本身的看法。纳什在英国景观传统方面的工作与这一新知识相融合。这篇文章描述了纳什的作品,超越了现存的现代主义、新浪漫主义和超现实主义的描述。它也重新定义了他的作品的“英国性”。当被解读为地质现实主义时,纳什的作品被视为21世纪现实主义的丰富先例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Nest of Wild Stones: Paul Nash’s Geological Realism
This article reads the work of English artist Paul Nash in the context of geological discovery in the early twentieth century and during the interwar period. The new knowledge of radioactivity followed by pioneering geophysical research in England, led by Arthur Holmes and presented in his book The Age of The Earth, transformed perceptions of reality itself. Nash’s work in the English landscape tradition was confluent with this new knowledge. This article describes Nash’s works beyond the bounds of extant modernist, neo-romantic and surrealist accounts. It also redefines the ‘Englishness’ of his oeuvre. When read as a geological realism, Nash’s work is visible as a rich precedent to realisms of the twenty-first century.
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来源期刊
Visual Culture in Britain
Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
1
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