中世纪意象中的连体双胞胎

IF 0.1 Q3 HISTORY
R. Couzin
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引用次数: 0

摘要

尽管罕见,连体双胞胎在人类历史上经常被提及和代表。中世纪的视觉记录包括对历史上双胞胎的两种描述,一些奇异的双头怪物,古代的神雅努斯,以及许多双子星座连体的例子。将意象与生理事实相比较,很明显,艺术家们熟悉各种形式的自然身体融合,尽管他们也容易产生误解。这些描述反映了西方神学家和哲学家对这一现象的相互矛盾的看法,即他们是一个人还是两个人。连体双胞胎在欧洲和伊斯兰艺术中都有出现。特别是连体双子座,大约在13世纪初的同一时间开始在两种文化中定期出现,可能在西方有更早的暗示。这种平行的肖像学发展提出了系谱和传播的难题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conjoined Twins in Medieval Imagery
Notwithstanding their rarity, conjoined twins have often been remarked and represented throughout human history. The medieval visual record includes two depictions of historical twins, some exotic two-headed monsters, the ancient god Janus, and many instances of the zodiac Gemini as conjoined. Comparing the imagery with physiological fact, it is clear that artists were familiar with various forms of natural corporeal fusion, although they were also prone to misunderstandings. The representations reflect conflicting conceptions of the phenomenon debated among Western theologians and philosophers, that they were one person or two. Conjoined twins are found in both European and Islamic art. The conjoined Gemini, in particular, began to appear regularly in both cultures at roughly the same time toward the beginning of the thirteenth century, with possible earlier hints in the West. This parallel iconographical development raises difficult questions of genealogy and dissemination.
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来源期刊
Medieval Encounters
Medieval Encounters Arts and Humanities-Religious Studies
CiteScore
0.50
自引率
0.00%
发文量
32
期刊介绍: Medieval Encounters promotes discussion and dialogue accross cultural, linguistic and disciplinary boundaries on the interactions of Jewish, Christian and Muslim cultures during the period from the fourth through to the sixteenth century C.E. Culture is defined in its widest form to include art, all manner of history, languages, literature, medicine, music, philosophy, religion and science. The geographic limits of inquiry will be bounded only by the limits in which the traditions interacted. Confluence, too, will be construed in its widest form to permit exploration of more indirect interactions and influences and to permit examination of important subjects on a comparative basis.
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