{"title":"书评:弗吉尼亚·科斯塔,《文化遗产中的现代金属,理解与表征》,盖蒂保护研究所,洛杉矶,2019,136页。","authors":"I. Tissot","doi":"10.14568/cp2019026","DOIUrl":null,"url":null,"abstract":"The conservation of modern metals–such as aluminium, stainless, and weathering steels–used as materials of contemporary works of art is a major challenge for\nconservators and curators. The recent application of these metals, in use since the beginning of the nineteenth century, makes for the lack of conservative measurements and conservation programs on such materials. In order to achieve this, a detailed identification, characterisation of the fabrication techniques, and the study of these metals’ deterioration is required. In her book, Virginia Costa embraces the hard challenge of bridging this gap.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2020-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Book review: Virginia Costa, Modern Metals in Cultural Heritage, understanding and characterization, Getty Conservation Institute, Los Angeles, 2019, 136 p.\",\"authors\":\"I. Tissot\",\"doi\":\"10.14568/cp2019026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The conservation of modern metals–such as aluminium, stainless, and weathering steels–used as materials of contemporary works of art is a major challenge for\\nconservators and curators. The recent application of these metals, in use since the beginning of the nineteenth century, makes for the lack of conservative measurements and conservation programs on such materials. In order to achieve this, a detailed identification, characterisation of the fabrication techniques, and the study of these metals’ deterioration is required. In her book, Virginia Costa embraces the hard challenge of bridging this gap.\",\"PeriodicalId\":55942,\"journal\":{\"name\":\"Conservar Patrimonio\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-04-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservar Patrimonio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14568/cp2019026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/cp2019026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Book review: Virginia Costa, Modern Metals in Cultural Heritage, understanding and characterization, Getty Conservation Institute, Los Angeles, 2019, 136 p.
The conservation of modern metals–such as aluminium, stainless, and weathering steels–used as materials of contemporary works of art is a major challenge for
conservators and curators. The recent application of these metals, in use since the beginning of the nineteenth century, makes for the lack of conservative measurements and conservation programs on such materials. In order to achieve this, a detailed identification, characterisation of the fabrication techniques, and the study of these metals’ deterioration is required. In her book, Virginia Costa embraces the hard challenge of bridging this gap.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.