《回家:女同性恋诗学与无家可归

IF 0.2 Q4 AREA STUDIES
Emer Lyons
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引用次数: 0

摘要

作为一名散居爱尔兰的诗人,Cherry Smyth从伦敦回国后,通过研究她非异性取向的经历和看法,对她(北爱尔兰)的建筑环境进行了探索。Smyth深入研究记忆、怀旧、遗忘和记忆,以表达她对家的寻找。这一点在她的诗《回家》中读得最为生动。女同性恋诗人的知名度在历史上一直被抒情诗的父权统治所取代、沉默和根除,经常让女同性恋诗人在传统中无家可归。Smyth没有回家,而是不断地回家,而这次回家是痛苦的、可耻的和色情的,从而使一个家摆脱了酷儿。这些,以及其他问题,都是用一种自动理论酷儿的方法来讨论的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Coming Home: Lesbian Poetics and Homelessness
As a poet of the Irish diaspora, Cherry Smyth queers the environment of her construction (Northern Ireland) by examining the experiences and perceptions of her non-heteronormative orientation when she returns home from London. Smyth delves into memory, nostalgia, forgetting and remembering to articulate her search for a home. This can be read most vividly in her poem “Coming Home”. The visibility of lesbian poets has been historically displaced, silenced and eradicated by the patriarchal domination of lyric poetry, often leaving lesbian poets homeless in the tradition. Rather than ever arriving at home, Smyth is continually coming home and this coming is painful, shameful and erotic all at once and thereby makes a home out of being queer. These, and other issues, are discussed using an auto-theoretical queer approach.
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