《丽贝卡》中关于感知的视觉思考

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Ricardo Vieira Lisboa
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引用次数: 0

摘要

阿尔弗雷德·希区柯克的《丽贝卡》是20世纪40年代哥特电影系列的一部分。在这篇文章中,识别和分析了这一心理惊悚亚类型中最常见的比喻之一:感知模糊。基于这一元素,我证明了一篇(音频)视觉散文的正式选择——“关于《丽贝卡》感知的一些视觉思考”——是用那部电影的图像和声音制作的,它探索了视频散文实践本身的哥特式维度:研究、矛盾、引用和唤起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Some Visual Thoughts About Perception in 'Rebecca'
Alfred Hitchcock's Rebecca is part of the series of 1940s gothic films. In this essay, one of the most common tropes of this subgenre of the psychological thriller is identified and analysed: perceptual ambiguity. Based on this element, I justify the formal choices of an (audio)visual essay - "Some Visual Thought about Perception in Rebecca" - made with images and sound from that film, which explores the gothic dimensions of the video-essayistic practice itself: research, contradiction, quotation and evocation.
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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