Alcaeus 130b中的政治身份与空间

IF 0.5 3区 历史学 0 CLASSICS
HELIOS Pub Date : 2019-09-28 DOI:10.1353/hel.2019.0004
Jessica M. Romney
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引用次数: 0

摘要

摘要:《阿尔凯乌斯130b》是一部关于流亡者乡村生活的悲歌,它的人物形象通过城邦、城市和城市三个空间展开。第一种是明确的政治,但人格不能占据它的领土;后两者是角色可以居住的地方,与政治无关,而temenos尤其与在其边界内举行选美比赛的女同性恋一致。在本文中,我认为片段130b组织了人物角色旅行的空间,以便它可以拒绝esxatiai和temenos的非政治生活,允许人物角色即使在流亡期间也能保持其作为公民的政治身份。这首诗通过将人物角色与几个社会群体联系起来,然后将他从他们中移除来实现这一点;这种流亡和回归之间的推拉创造了一个中间空间,在这个空间中,人物的社会身份是安全的,不会受到流亡的危险。在男性主导的同情和折磨着古代米蒂利尼的政治停滞的背景下,这个角色即使在流放中也能保持他的政治身份,这给阿尔凯乌斯的观众提供了一个强有力的论据,即不管有任何挫折,包括流放,他们也应该保持他们作为政治上有效的公民的身份,继续他们已经开始的任何停滞。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Political Identity and Space in Alcaeus 130b
Abstract:In a lament on the rustic life of an exile, the persona loquens of Alcaeus 130b progresses through three spaces: the polis, esxatiai, and a temenos. The first is explicitly political, but the persona cannot occupy its territory; the latter two, where the persona can dwell, are apolitical while the temenos in particular is gendered in line with the Lesbian women who hold their beauty contests within its borders. In this article I argue that fragment 130b organizes the spaces through which the persona travels so that it can reject the apolitical life of the esxatiai and temenos, allowing the persona loquens to maintain his political identity as a citizen man even while in exile. The poem accomplishes this by connecting the persona to several social groups and then by removing him from them; this push and pull of exile and return creates an in-between space where the persona's social identity is safe from the dangers of exile. In the context of the male-dominated symposion and the political stasis afflicting archaic Mytilene, the persona's ability to maintain his political identity even in exile presents a powerful argument to Alcaeus's audience(s) that regardless of any setbacks, including exile, they too should maintain their identity as politically efficacious citizens and continue any stasis that they have begun.
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来源期刊
HELIOS
HELIOS CLASSICS-
CiteScore
0.50
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