作为异托邦的中世纪朝圣

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
David Aers, Sarah Beckwith, Suzanne M. Yeager
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引用次数: 1

摘要

索乌尔夫的《耶路撒冷原址关系》是12世纪最重要但尚未得到充分研究的朝圣文献之一。这本书记录了这位前往耶路撒冷的旅行者在中世纪地中海的冒险经历,是拉丁基督教军队占领圣城后立即写成的第一份现存的朝圣文献。本文考察了文本对自传的显著兴趣,并探讨了十字军东征、早期十字军东征叙事、伊斯兰教的存在和地中海航行对朝圣体裁的影响。这种对Saewulf前现代自我塑造的新分析对于文学史学家通过伊迪丝和维克多·特纳提出的有价值的人类学理论来评估朝圣者文学的方式至关重要。如本文所述,12世纪地中海的军事化状态导致了朝圣者对自己的描述的转变。Saewulf将自己定位为一个被他生动的事迹所改变的朝圣者,不是在圣地的地方,而是在前往耶路撒冷的途中。本研究是对朝圣者和旅行理论的干预,提出1104年是中世纪旅行者自我感知和自传体描写的分水岭时刻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Medieval Pilgrimage as Heterotopia
Saewulf’s Relatio de situ Jerusalem is one of the most significant yet understudied pilgrim texts of the twelfth century. Documenting the Jerusalem-bound traveler’s adventures through the medieval Mediterranean, the text is the first extant pilgrim document written immediately after Latin Christian armies seized control of the holy city. This article examines the text’s remarkable interest in autobiography and explores the resonance which crusading, early crusading narrative, Islamic presence, and Mediterranean voyaging had upon the pilgrim genre. This new analysis of Saewulf’s pre-modern self-fashioning is crucial to ways in which literary historians assess pilgrim literature through the valuable anthropological theories advanced by Edith and Victor Turner. As argued here, the status of a militarized Mediterranean in the twelfth century led to a shift in how pilgrims wrote about themselves. Saewulf positioned himself as a pilgrim who is transformed by his vivid exploits, not at the locality of the shrine, but while en route to Jerusalem. This study is an intervention in pilgrim and travel theory, proposing 1104 as a watershed moment in medieval travelers’ self-perception and autobiographical portrayal.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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