詹巴蒂斯塔·巴斯勒《IL五分音符》中的怪诞与神话

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Antonela Marić, Marko Dragić, Ana Plavša
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引用次数: 0

摘要

本文除简要介绍意大利巴洛克作家詹巴蒂斯塔·巴西莱的短篇小说集《Lo cunto de li cunti overo Lo trattenemiento de’peccerille》的主题和结构概况外,它关注对奇幻和怪诞元素的分析,这些元素通常是口头传统、童话和神话的特征。巴兹勒写的五十篇短篇小说中就有上述元素,并收录在他的文集中。分析中使用了各种来源,依靠神话和童话来解释怪诞的存在。除了具有巨大的文学价值外,这本书集还具有重要的历史意义,因为就像许多其他口头传统的例子一样,它培养了大量地中海民间传说中典型的服装和传统。从一个故事到另一个故事,该系列缓慢但肯定地揭示了意大利南部人民的地中海身份,并解释了怪诞的功能及其说教目的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE GROTESQUE AND MYTH IN GIAMBATTISTA BASILE’S IL PENTAMERONE
This paper, besides a short introduction concerning general information on themes and the structure present in the short story collection Lo cunto de li cunti overo lo trattenemiento de’ peccerille, written by the Italian Baroque author Giambattista Basile, whose masterpiece enjoyed great fame abroad much earlier than in Italy, is concerned with the analysis of fantastic and grotesque elements which generally characterise oral tradition, fairy tales and myths. The above-mentioned elements were identified in the fifty short stories which Basile wrote and included in his collection. Various sources were used in the analysis, relying on myths and fairy tales with the aim of explaining the presence of the grotesque. Besides its great literary value, this collection is also of great historical importance because, just like many other examples of oral tradition, it fosters a vast span of costumes and traditions that are typical of the Mediterranean folklore. From one tale to another, the collection slowly but surely reveals the Mediterranean identity of the people from the South of Italy and explains the function of the grotesque and its didactic purpose.
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来源期刊
Folia Linguistica et Litteraria
Folia Linguistica et Litteraria HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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发文量
29
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