托德斯班登的基督落后。从中世纪到马丁·路德到约翰·塞巴斯蒂安·巴赫的合唱之旅

Q4 Arts and Humanities
Krisztián Kovács
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引用次数: 0

摘要

“基督在Todesbanden(基督躺在死亡的枷锁中)中倒下了。从中世纪到马丁·路德到约翰·塞巴斯蒂安·巴赫的赞美诗之旅。马丁·路德作为改革家的工作重点之一仍然可以在他的作品中发现。他写了几首抒情诗,在这些抒情诗中,他阐述了重要的教条式见解。其中包括复活节歌曲《基督躺在死亡的枷锁中》(Christ lag in Todesbanden),这首歌是基于中世纪格里高利圣歌《殉难者》(Victimae paschali laudes)和后来的版本《基督的理解》(Christ ist erstanden),其中不仅可以找到复活节的喜悦和基督的复活,而且还描绘了这位改革者对死亡和罪的死亡的神学见解。将近200年后,约翰·塞巴斯蒂安·巴赫在他的第一任妻子去世后不久,在他的同名康塔塔(BWV 4)中处理了路德这首歌的所有七节。路德教会对复活的赞美诗因此成为了一种个人信条,一种诗歌,但与此同时,我们可以在巴赫的作品中找到一种令人兴奋的音乐表现,体现了路德对死亡的神学观点。关键词:马丁·路德,约翰·塞巴斯蒂安·巴赫,新教合唱团,死亡,复活
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Christ lag in Todesbanden. Egy korál útja a középkortól Luther Mártonon át Johann Sebastian Bachig
"Christ lag in Todesbanden (Christ Lay in the Bonds of Death). A Chorale’s Journey from the Middle Ages through Martin Luther to Johann Sebastian Bach. One of the focal points of Martin Luther’s work as a reformer can still be discovered in his compositions. He wrote several lyrics in which he formulated essential dogmatic insights. These include the Easter song Christ lag in Todesbanden [Christ Lay in the Bonds of Death] based on the mediaeval Gregorian chant Victimae paschali laudes and its later version Christ ist erstanden, in which not only the joy over Easter and the resurrection of Christ can be found, but it also gives a picture of the reformer’s theological insights into the death of death and sin. After nearly two hundred years, Johann Sebastian Bach processes all seven verses of Luther’s song in his cantata of the same title (BWV 4), shortly after the death of his first wife. The Lutheran hymn of the resurrection will thus become a personal creed, an ars poetica, but at the same time we can find an exciting musical representation of Luther’s theological view of death in Bach’s composition. Keywords: Martin Luther, Johann Sebastian Bach, Protestant choir, death, resurrection "
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