Entre o algoritmo e a curadoria: programação radiofônica, gêneros musicais e repetição

This article investigates the process of building a radio programming, increasingly tensioned between two poles: human curation and the algorithmic mediation of automation software. We propose a discussion on the roles played by categories such as musical genres, diversity and repetition. The argument is based on the premise that music remains central to radio at a time of transition in media industries. This time of new intermediacy consolidation is marked by streaming services in which human curation has progressively given way to sophisticated automation systems, reorganizing music listening on a large scale.