{"title":"从淫秽讽刺到修士公理:巴西的浪漫主义诗歌与同性恋(1850-1864)","authors":"Vagner Camilo","doi":"10.21471/JLS.V4I1.297","DOIUrl":null,"url":null,"abstract":"This paper addresses the emergence of homoerotic themes in the context of Brazilian romanticism, in poetic works obviously outside or on the margins of the official canon. It also examines the changes from the obscene and satirical verses to the lyric voice in the poems attributed to Moniz Barreto, Laurindo Rabelo and, with special emphasis, Junqueira Freire, author of the only lyric love poem about this theme at the time.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Da sátira obscena ao axioma do frei: poesia romântica e homoerotismo no Brasil (1850-1864)\",\"authors\":\"Vagner Camilo\",\"doi\":\"10.21471/JLS.V4I1.297\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper addresses the emergence of homoerotic themes in the context of Brazilian romanticism, in poetic works obviously outside or on the margins of the official canon. It also examines the changes from the obscene and satirical verses to the lyric voice in the poems attributed to Moniz Barreto, Laurindo Rabelo and, with special emphasis, Junqueira Freire, author of the only lyric love poem about this theme at the time.\",\"PeriodicalId\":52257,\"journal\":{\"name\":\"Journal of Lusophone Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-06-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Lusophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21471/JLS.V4I1.297\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/JLS.V4I1.297","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Da sátira obscena ao axioma do frei: poesia romântica e homoerotismo no Brasil (1850-1864)
This paper addresses the emergence of homoerotic themes in the context of Brazilian romanticism, in poetic works obviously outside or on the margins of the official canon. It also examines the changes from the obscene and satirical verses to the lyric voice in the poems attributed to Moniz Barreto, Laurindo Rabelo and, with special emphasis, Junqueira Freire, author of the only lyric love poem about this theme at the time.