{"title":"“Ce dsamset est faux”——康斯坦帕拉·卡德维尔风景作品的重新演绎思考","authors":"António de Sousa Dias","doi":"10.1080/07494467.2023.2251312","DOIUrl":null,"url":null,"abstract":"ABSTRACT The oeuvre of Constança Capdeville (1937–1992) includes a significant body of music theatre works that represent a challenge for restaging. The lack of systematic information makes it necessary for those who have worked with her to bequeath a living testimony of her work, whose conceptual approach represents an enrichment of the Portuguese musical panorama. ‘Ce désert est faux’—Constança Capdeville in memoriam (2012) is a music theatre performance based entirely on Capdeville’s music theatre works, proposing a stage production enacted in her spirit. In fact, from the choice of works and excerpts to be included in the performance to their distribution and staging, the main objective guiding this project aims to establish a context that would allow for Capdeville’s music theatre works to be experienced just as they were conceived. The strategies respecting Capdeville’s typical procedures are also discussed in this study.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Ce désert est faux’: Thoughts on Restaging Constança Capdeville’s Scenic Works\",\"authors\":\"António de Sousa Dias\",\"doi\":\"10.1080/07494467.2023.2251312\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The oeuvre of Constança Capdeville (1937–1992) includes a significant body of music theatre works that represent a challenge for restaging. The lack of systematic information makes it necessary for those who have worked with her to bequeath a living testimony of her work, whose conceptual approach represents an enrichment of the Portuguese musical panorama. ‘Ce désert est faux’—Constança Capdeville in memoriam (2012) is a music theatre performance based entirely on Capdeville’s music theatre works, proposing a stage production enacted in her spirit. In fact, from the choice of works and excerpts to be included in the performance to their distribution and staging, the main objective guiding this project aims to establish a context that would allow for Capdeville’s music theatre works to be experienced just as they were conceived. The strategies respecting Capdeville’s typical procedures are also discussed in this study.\",\"PeriodicalId\":44746,\"journal\":{\"name\":\"Contemporary Music Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-09-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/07494467.2023.2251312\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2023.2251312","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
‘Ce désert est faux’: Thoughts on Restaging Constança Capdeville’s Scenic Works
ABSTRACT The oeuvre of Constança Capdeville (1937–1992) includes a significant body of music theatre works that represent a challenge for restaging. The lack of systematic information makes it necessary for those who have worked with her to bequeath a living testimony of her work, whose conceptual approach represents an enrichment of the Portuguese musical panorama. ‘Ce désert est faux’—Constança Capdeville in memoriam (2012) is a music theatre performance based entirely on Capdeville’s music theatre works, proposing a stage production enacted in her spirit. In fact, from the choice of works and excerpts to be included in the performance to their distribution and staging, the main objective guiding this project aims to establish a context that would allow for Capdeville’s music theatre works to be experienced just as they were conceived. The strategies respecting Capdeville’s typical procedures are also discussed in this study.
期刊介绍:
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.