20世纪20年代波希米亚小提琴家对斯洛文尼亚和克罗地亚的影响

IF 0.1 3区 艺术学 0 MUSIC
Arti Musices Pub Date : 2019-12-06 DOI:10.21857/9e31lhn1dm
Maruša Zupančič
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引用次数: 0

摘要

克罗地亚和斯洛文尼亚的民族领土一直是过渡的地理区域,对各种文化和音乐移民以及各种音乐传统的集会开放。最重要的移民音乐家群体之一是18世纪末出现在克罗地亚和斯洛文尼亚的波西米亚人。从19世纪初到20世纪20年代,大约有90名来自波西米亚的音乐家(小提琴家)活跃在克罗地亚和斯洛文尼亚的几个城镇,他们担任小提琴教师、管弦乐队成员(首席演奏家和指挥家)和军事音乐总监,极大地塑造了音乐生活。其中最重要的群体是布拉格小提琴家(布拉格音乐学院的小提琴校友),他们的代表Václav Huml和Jan Šlais分别是萨格勒布和卢布尔雅那小提琴学校的创始人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Influx of Bohemian Violinists to Slovenia and Croatia up to the 1920s
The ethnic territories of Croatia and Slovenia have always been transitional geographic zones that were open to various kinds of cultural and musical migrations and meetings of various musical traditions. One of the most important groups of immigrant musicians was the Bohemians that appeared in Croatia and Slovenia towards the end of the eighteenth century. From the beginning of the nineteenth century until the 1920s, about ninety musicians (violinists) originating from Bohemia were active as violin teachers, orchestra members (concertmasters and conductors), and military music directors that signifi cantly shaped musical life in several cities and towns in Croatia and Slovenia. The most important group of these was the Prague violinists (violin alumni of the Prague Conservatory), whose representatives Václav Huml and Jan Šlais were the founders of the Zagreb and Ljubljana violin schools, respectively.
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来源期刊
Arti Musices
Arti Musices MUSIC-
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