"Everything is Breath": Critical Plant Studies' Metaphysics of Mixture

In her book Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants, Robin W. Kimmerer contrasts two creation stories that are thoroughly incompatible. One starts with an all-powerful male creator calling the world and its vegetation and animals into existence through words, and forming the first human beings from clay; the other starts with Skywoman tumbling through the air with seeds in her fist from the Tree of Life growing in Skyworld. One ends with the condemnation of woman to give birth in “very severe” pains, with the cursing of the ground ordered to “produce thorns and thistles” as punishment for man who will eat his food only after “painful toil,” and the expulsion from the garden; the other ends in gratitude for the collective caring of the animals, with the creation of “a garden for the well-being of all.” One includes an original fall from grace whose burden will be passed down from generation to generation; the other acknowledges suffering without a trace of the burden of unearned guilt. One predicts death as a return to the dust from whence mankind was created; the other imagines death as becoming plant and fruit, as becoming gift, a rejoining the spirits of all ancestors, human and others, who surround the living in everything that is. The threat of one is the inexorability of a trajectory “from dust to dust” and the latter’s association, with Plato, of something so diffuse that it doesn’t merit a concept or idea; the promise of the other is an abiding relationship with all that is, the reciprocity of giving and gratitude, and the gladly assumed responsibility for the “inspirited” land. Kimmerer comments: