巴勒斯坦诗人-歌手:1948-1966年以色列军事统治下的庆典

IF 1.4 3区社会学 Q2 INTERNATIONAL RELATIONS

Alternatives Pub Date : 2021-05-01 DOI:10.1177/03043754211028368

Marwan Darweish, C. Robertson

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引用次数: 1

摘要

关于1948年至1966年军事统治期间以色列巴勒斯坦人的研究将他们描述为默许，主要关注以色列施加的控制机制。本文考察了这一时期巴勒斯坦人婚礼和社交聚会中即兴歌唱诗歌所扮演的角色，并评估了这种艺术形式对维护该社区代理的贡献。Ḥaddā '(男性)和Badāa ' '(女性)诗人歌手被认为是文化韧性的代表，歌曲是工具，婚礼是生活在以色列军事统治下的巴勒斯坦人恢复和抵抗的场所。Ḥaddā '和Badāa '的民间诗歌被认为是根植于巴勒斯坦文化遗产的一种文化韧性和抵抗形式。这些数据表明了复原力、尊严和扎根于土地和身份的持久性，同时也表明了这种复原力和抵抗行动的风险。

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Palestinian Poet-Singers: Celebration Under Israel’s Military Rule 1948–1966

Research about Palestinians in Israel during the period of military rule from 1948 to 1966 describes them as acquiescent and primarily focuses on the mechanisms of control imposed by Israel. This article examines the role played by improvised sung poetry in Palestinian weddings and social gatherings during this period, and it assesses the contribution that this situated art form made to asserting this community’s agency. Ḥaddā’ (male) and Badāaʿa (female) poet-singers are considered as agents of cultural resilience, songs as tools and weddings as sites of resilience and resistance for Palestinians who lived under Israeli military rule. Folk poetry performed by Ḥaddā’ and Badāaʿa is identified as a form of cultural resilience and resistance rooted in Palestinians’ cultural heritage. The data signal the persistence of resilience, dignity and rootedness in the land and identity, as well as demonstrating the risks of such resilience and of resistance actions.

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来源期刊

Alternatives INTERNATIONAL RELATIONS-

CiteScore

2.30

自引率

15.40%

发文量

期刊介绍： A peer-reviewed journal, Alternatives explores the possibilities of new forms of political practice and identity under increasingly global conditions. Specifically, the editors focus on the changing relationships between local political practices and identities and emerging forms of global economy, culture, and polity. Published in association with the Center for the Study of Developing Societies (India).