“我想成为一名女冒险家”:《斯特兰德杂志》上凯莉小姐的冒险故事的原创性。

Q2 Arts and Humanities
Mercedes Sheldon
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引用次数: 1

摘要

如果把《凯莉小姐的历险记》(1898-99)当作小说通读,它似乎特别属于侦探类小说;这种阅读限制了我们对格兰特·艾伦挑战当代保守的《斯特兰德杂志》(1891-1950)读者对性别的焦虑的理解。艾伦将多种流行的小说体裁融合到这个短篇系列中,包括侦探小说,以及自行车浪漫故事、登山故事、打字员故事和旅行故事。戈登·布朗的插图强调了艾伦的手法,从视觉上让读者相信主人公,进而接受她“天真的冒险”。我认为,如果把《凯莉小姐的历险记》放在原初的、有插图的期刊语境中阅读,它呈现给读者的并不是一位新女性侦探,而是一位女性冒险家,一位女冒险家。凸版印刷和插图依赖并颠覆了这个词的负面内涵,将其作为一种批判性的手段来质疑新女性的比喻,并向中产阶级展示了一种原始的看待女性的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘An Adventuress I Would Be’: Originality in Miss Cayley’s Adventures in The Strand Magazine.
When read straight through as a novel, Miss Cayley’s Adventures (1898-99) appears to reside singularly within the detective genre; this reading limits our understanding of the ways in which Grant Allen challenges the anxieties regarding gender held by the contemporary, conservative readership of The Strand Magazine (1891-1950). Allen integrates multiple popular genres into the short story serial, including the detective stories which frame the narrative, as well as cycling romance, mountaineering, typist, and travel stories. Gordon Browne’s illustrations underscore Allen’s manoeuvres, visually inviting the reader to trust the protagonist and by extension to accept her “artless adventures.” I contend that, when read within its original, illustrated periodical context, Miss Cayley’s Adventures does not present the magazine’s readership with a New Woman detective but rather with a female adventurer, an adventuress. The letterpress and illustrations rely on and subvert the negative connotation of the word, using it as a critical means to interrogate the New Woman trope and to show the middle classes an original way to view womanhood.
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来源期刊
Victorian Popular Fictions
Victorian Popular Fictions Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
16 weeks
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