衣蜡像:建筑材料、挑战及预防性保护建议

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Christos Karydis, Evangelia Kyriazi, Christina-Alkisti Staka
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引用次数: 0

摘要

自中世纪以来,人们就建造了蜡像,这些蜡像是完全穿着真人大小的人物模型。历史雕像的建造材料与当代雕像不同,但几个世纪以来,蜡部分的建造过程或多或少保持不变。本文从蜡像的历史、建筑材料和制作工艺入手。解释了蜡像与其服饰的密不可分的关系,并介绍了蜡像最重要的建筑材料的特性和变质剂,以了解蜡像的保存需求,重点介绍了蜡像和织物。本文的目的是建议蜡像的预防性保护指南,建议在展示和储存期间提供适当的环境条件,并建议适当的处理、储存和运输。还就紧急情况下的备灾和行动提供咨询意见。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Clothed wax effigies: construction materials, challenges and suggestions for preventive conservation
Wax effigies, fully dressed life-size models of human figures, have been constructed since the medieval times. The construction materials of historical effigies differ to the contemporary ones, yet the construction process of the wax parts has more or less remained unchanged over the centuries. This paper starts with the history, construction materials and manufacture techniques of wax effigies. The inseparable relation of the wax effigies and their costumes is explained, and the characteristics and deterioration agents of their most important construction materials are presented in order to understand their needs for preservation, with emphasis on wax and fabrics. The aim of this paper is to suggest preventive conservation guidelines for wax effigies, with proposals for appropriate environmental conditions during display and storage, and suggestions for proper handling, storage and transportation. Advice for disaster preparedness and actions in cases of emergency situations is also provided.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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