1954-1960年苏英文化交流&以多样性为例

Ju.I. Sokolova
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引用次数: 0

摘要

1954年至1960年的文化交流对苏印合作的形成起了重要作用。苏联领导层坚持“盘查希拉”原则,运用“软实力”战略,扩大自己在亚洲国家的影响力。创作团队和个人表演者的交流为未来苏联和印度之间建立文化关系奠定了基础。在本报告所述期间,马戏、戏剧艺术和舞蹈团之间建立了更密切的联系。来自两国的观众有机会了解苏联和印度的非物质文化遗产,这反过来又给公众留下了积极的印象。在没有正式协议的情况下,在审查期间在共同利益的基础上进行了交流,由于苏联领导人的倡议,进行了更密切的互动,扩大了文化领域的联系。对苏印文化交流中各种艺术的地位问题的审议,使我们能够确定这一进程的特点,找出有问题的部分,特别是不愿扩大交流的地域范围和印度领导人组织参观的费用增加的问题。然而,苏联方面试图利用这一渠道来推广苏联的生活方式,故意在实施与印度文化互动的计划上投入大量资金。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SOVIET-INDIAN CULTURAL EXCHANGE IN 1954-1960 ON THE EXAMPLE OF VARIETY
Cultural exchange in 1954 - 1960 played an important role in the formation of Soviet-Indian cooperation. Adhering to the principles of "pancha shila", the Soviet leadership used the strategy of "soft power" to expand its own influence in Asian countries. The exchange of creative teams and individual performers laid the foundation for building cultural relations between the USSR and India in the future. Closer contacts in the period under review were established between circus, theatrical art and dance ensembles. Spectators from both countries had the opportunity to get to know the intangible cultural heritage of the USSR and India, which, in turn, formed a positive impression on the public. Without official agreements, the exchange was carried out during the period under review on the basis of mutual interest, thanks to the initiative of the USSR leadership, closer interaction was carried out, contacts were expanded in the cultural sphere. Consideration of the issue of the place of variety art in the Soviet-Indian cultural exchange makes it possible to determine the features of the process, identify problematic components, in particular, the reluctance to expand the geography of exchanges and the increase in the cost of organizing tours by the Indian leadership. Nevertheless, the Soviet side sought to use this channel to promote the Soviet way of life, deliberately investing heavily in the implementation of plans for cultural interaction with India.
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