地方的根,全球的藤:日本西部的人权博物馆作为身份的表达

IF 0.7 Q3 ANTHROPOLOGY
Lisa Mueller
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引用次数: 0

摘要

最近,日本部落民的人权运动日益全球化,将部落民的斗争置于世界各地其他以种姓为基础的少数民族的斗争之中。学者们从理论上认为,这种全球化表现为一个全球-地方反馈循环,在这个循环中,全球和地方行动者所做的决策相互通知。本研究以日本西部三间Buraku人权博物馆的宣传册为研究对象,透过实地调查与质性内容分析,探讨这种全球性的重新定位。我展示了两个博物馆符合全球-地方反馈循环理论,我进一步确定了当地的细微差别如何影响博物馆采用的不同策略,以参与这种新的全球化Buraku身份。然而,第三个博物馆作为一个反例,选择保持其展品以当地为重点,反映其社区驱动的使命。我认为,这些博物馆在地方和全球层面上都是Buraku身份的对话者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Local roots, global vines: Human rights museums in western Japan as expressions of identity

Recently human rights movements among Japan's Buraku people have become increasingly globalized, situating the Buraku struggle among those of other caste-based minorities around the world. Scholars have theorized that this globalization manifests in a global–local feedback loop in which decisions made by global and local actors inform one another. In this study, I utilize field research and qualitative content analysis of brochures at three Buraku human rights museums in western Japan to investigate this global reorientation. I show that two museums correspond to global–local feedback loop theory and I further identify how local nuances affect the disparate strategies the museums employ to engage with this new globalized Buraku identity. The third museum, however, serves as a counterexample by electing to keep its exhibits locally focused, reflecting its community-driven mission. I argue that these museums function as interlocutors of Buraku identity at both the local and global levels.

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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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