玛丽安文学文化:彼特拉克与文化的和解

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES
Oliver Wort
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引用次数: 1

摘要

英国接受彼特拉克作品的历史是在没有提及玛丽女王统治的情况下讲述的。尽管玛丽安文学文化史的讲述离不开彼特拉克。事实上,英国君主有一个独特的玛丽安阶段,表现在三部作品中,两部在印刷品中,一部在手稿中。这些是:托特尔的杂集,亨利·帕克,莫理勋爵的《试探》和威廉·福雷斯特的《第二个Grisilde》。这三部作品都出现在玛丽女王短暂的统治期间,作为一个特定时刻的产物,这些作品指向了玛丽安文学文化的一个特定理念,该理念试图将彼特拉克从一个不那么值得的亨利时代拯救出来。亨利八世在性和政治上的过度行为在这个时候受到了尖锐的批评,而道德化和哲学化的彼特拉克作为这种批评的典范,承担了新的重要性。因此,彼特拉克的例子也是玛丽安和天主教更广泛的文化复兴的核心,这有助于在诗歌中确立玛丽安回到罗马在政治和宗教上所确立的东西:文化的和解。[O.W.]
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marian Literary Culture: Petrarch and the Rapprochement of Cultures
The history of the English reception of Petrarch’s works is one that has been told without reference to the reign of Queen Mary. This is despite the fact that a history of Marian literary culture cannot be told without reference to Petrarch. Indeed, the English Petrarch had a distinctively Marian phase that manifested itself in three works, two in print and one in manuscript. These are: Tottel’s Miscellany, Henry Parker, Lord Morley’s Tryumphes, and William Forrest’s The Seconde Grisilde. All three appearing during Queen Mary’s short reign, and as products of a particular moment, these works point to a specific idea of Marian literary culture that sought to deliver Petrarch from a less worthy Henrician age. Henry VIII’s sexual and political excesses were sharply criticised at this time, and the moralizing and philosophising Petrarch assumed fresh importance as a model for this critique. Petrarch’s example was therefore also central to a broader cultural renaissance that was both Marian and Catholic, and that helped to establish in poetry what the Marian return to Rome established in politics and religion: a rapprochement of cultures. [O.W.]
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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