{"title":"电子邮件诈骗、诺莱坞电影和新非洲文学小说:阿达奥比·特里西亚·恩瓦巴尼的《后全球时代的我不会偶然来找你》","authors":"C. Garritano","doi":"10.2979/reseafrilite.51.4.02","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This article demonstrates that Adaobi Tricia Nwaubani's novel I Do Not Come to You by Chance dialogues with a multiplicity of texts and discourses at literary and popular registers. It explores affiliations between African literary narratives about 419 and the popular narratives that migrate through minor and informal transnational networks of production and consumption in Africa and the diaspora. The article analyzes the textual strategies Nwaubani's novel adopts to negotiate between literary and popular publics, paying close attention, on the one hand, to the novel's entanglements with local, popular narratives and, on the other, to the strategies of literariness it takes up. The aim is to describe, in particular, the novel's intersections with and rewriting of the idioms and aesthetics so pronounced in popular texts, such as Nollywood and Ghanaian movies, as well as its playful and poignant reimagining of the tropes and forms adopted in 419 fraud emails.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"51 1","pages":"18 - 35"},"PeriodicalIF":0.3000,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Email Scams, Nollywood Movies, and the New African Literary Novel: Adaobi Tricia Nwaubani's I Do Not Come to You by Chance in the Post-Global Age\",\"authors\":\"C. Garritano\",\"doi\":\"10.2979/reseafrilite.51.4.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This article demonstrates that Adaobi Tricia Nwaubani's novel I Do Not Come to You by Chance dialogues with a multiplicity of texts and discourses at literary and popular registers. It explores affiliations between African literary narratives about 419 and the popular narratives that migrate through minor and informal transnational networks of production and consumption in Africa and the diaspora. The article analyzes the textual strategies Nwaubani's novel adopts to negotiate between literary and popular publics, paying close attention, on the one hand, to the novel's entanglements with local, popular narratives and, on the other, to the strategies of literariness it takes up. The aim is to describe, in particular, the novel's intersections with and rewriting of the idioms and aesthetics so pronounced in popular texts, such as Nollywood and Ghanaian movies, as well as its playful and poignant reimagining of the tropes and forms adopted in 419 fraud emails.\",\"PeriodicalId\":21021,\"journal\":{\"name\":\"Research in African Literatures\",\"volume\":\"51 1\",\"pages\":\"18 - 35\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-07-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research in African Literatures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/reseafrilite.51.4.02\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in African Literatures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/reseafrilite.51.4.02","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN","Score":null,"Total":0}
Email Scams, Nollywood Movies, and the New African Literary Novel: Adaobi Tricia Nwaubani's I Do Not Come to You by Chance in the Post-Global Age
ABSTRACT:This article demonstrates that Adaobi Tricia Nwaubani's novel I Do Not Come to You by Chance dialogues with a multiplicity of texts and discourses at literary and popular registers. It explores affiliations between African literary narratives about 419 and the popular narratives that migrate through minor and informal transnational networks of production and consumption in Africa and the diaspora. The article analyzes the textual strategies Nwaubani's novel adopts to negotiate between literary and popular publics, paying close attention, on the one hand, to the novel's entanglements with local, popular narratives and, on the other, to the strategies of literariness it takes up. The aim is to describe, in particular, the novel's intersections with and rewriting of the idioms and aesthetics so pronounced in popular texts, such as Nollywood and Ghanaian movies, as well as its playful and poignant reimagining of the tropes and forms adopted in 419 fraud emails.
期刊介绍:
Founded in 1970, Research in African Literatures is the premier journal of African literary studies worldwide and provides a forum in English for research on the oral and written literatures of Africa, as well as information on African publishing, announcements of importance to Africanists, and notes and queries of literary interest. Reviews of current scholarly books are included in every issue, often presented as review essays, and a forum offers readers the opportunity to respond to issues raised in articles and book reviews.