权力边缘的声波空间制作：马其顿共和国的电子音乐、代理和另类归属（2011-2014）

IF 0.6 1区艺术学 0 MUSIC

ETHNOMUSICOLOGY Pub Date : 2022-10-01 DOI:10.5406/21567417.66.3.04

Dave Wilson

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引用次数: 0

摘要

本文考察了2011年至2014年间马其顿斯科普里电子音乐场景的空间制作实践。它认为，这种做法可以为“另类归属”创造空间，使个人和团体能够在没有公开抵抗的情况下与权贵分道扬镳。这篇文章建立在民族音乐学文献的基础上，研究了音乐和声音如何以生成和变革的方式介导空间，表明理解分布在众多位置上的能动性有助于超越二分法的统治-抵抗框架进行思考。

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Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)

This article examines the space-making practices of an electronic music scene in Skopje, Macedonia, between 2011 and 2014. It argues that such practices can make spaces for “alternative belonging,” enabling individuals and groups to diverge from the powerful without open resistance. The article builds on ethnomusicological literature on how space is mediated by music and sound in ways that are generative and transformative, suggesting that understanding agency as distributed across numerous positionalities assists in thinking beyond dichotomous dominance-resistance frameworks.

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来源期刊

ETHNOMUSICOLOGY MUSIC-

CiteScore

1.30

自引率

14.30%

发文量

期刊介绍： As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.