{"title":"贡献者","authors":"Megan Eardley","doi":"10.1162/grey_x_00329","DOIUrl":null,"url":null,"abstract":"Laura Martínez de Guereñu is Associate Professor of Architectural History and Theory at IE University and Humboldt Research Fellow at the Architekturmuseum der TUM. She is the author of the art intervention Re-enactment: Lilly Reich’s Work Occupies the Barcelona Pavilion (Fundació Mies van der Rohe, 2020) and of numerous articles. She is the editor the special issue “Who Designs Architecture? On Silenced and Superimposed Authorship,” RA. Revista de Arquitectura (forthcoming).","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contributors\",\"authors\":\"Megan Eardley\",\"doi\":\"10.1162/grey_x_00329\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Laura Martínez de Guereñu is Associate Professor of Architectural History and Theory at IE University and Humboldt Research Fellow at the Architekturmuseum der TUM. She is the author of the art intervention Re-enactment: Lilly Reich’s Work Occupies the Barcelona Pavilion (Fundació Mies van der Rohe, 2020) and of numerous articles. She is the editor the special issue “Who Designs Architecture? On Silenced and Superimposed Authorship,” RA. Revista de Arquitectura (forthcoming).\",\"PeriodicalId\":44598,\"journal\":{\"name\":\"Grey Room\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Grey Room\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/grey_x_00329\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Grey Room","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/grey_x_00329","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
Laura Martínez de Guereñu是IE大学建筑历史与理论副教授,也是TUM建筑博物馆的洪堡研究员。她是《艺术干预重演:Lilly Reich的作品占据巴塞罗那馆》(FundacióMies van der Rohe,2020)和众多文章的作者。她是RA特刊《谁设计建筑?论沉默与叠加的作者》的编辑。《阿奎特古拉评论》(即将出版)。
Laura Martínez de Guereñu is Associate Professor of Architectural History and Theory at IE University and Humboldt Research Fellow at the Architekturmuseum der TUM. She is the author of the art intervention Re-enactment: Lilly Reich’s Work Occupies the Barcelona Pavilion (Fundació Mies van der Rohe, 2020) and of numerous articles. She is the editor the special issue “Who Designs Architecture? On Silenced and Superimposed Authorship,” RA. Revista de Arquitectura (forthcoming).
期刊介绍:
Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of current aesthetic and critical debates. Featuring original articles, translations, interviews, dossiers, and academic exchanges, Grey Room emphasizes aesthetic practice and historical and theoretical discourse that appeals to a wide range of readers, including architects, artists, scholars, students, and critics.