愉快地观赏城市

Q3 Arts and Humanities

Nordic Journal of Aesthetics Pub Date : 2022-10-10 DOI:10.7146/nja.v31i64.134223

Tue Andersen Nexø

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引用次数: 0

摘要

这篇文章在期刊文章《旁观者》（1711-1714）中探讨了审美故事与城市表现之间的交叉点。关注这一交叉点可以分析《旁观者》认为审美愉悦应该做的文化工作，也表明了“旁观者”与后来的康德美学之间的关键区别。在《旁观者》中，审美愉悦与创造一个如何与政治领域联系的模型有关——而不是去兴趣，审美愉悦的前提是脱离。通过城市的镜头阅读，审美愉悦是《旁观者》关于如何作为现代国家的特权主体过上美好生活的愿景中的一个关键组成部分。

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Watching the City with Pleasure

The essay examines the intersection between aesthetic the-ory and representations of the city in the periodical essay The Spectator (1711-1714). Focusing on this intersection allows for an analysis of the cultural work aesthetic pleasure is supposed to do according to The Spectator, and also shows key differenc-es between “spectatorial” and later, Kantian aesthetics. In The Spectator aesthetic pleasure has to do with producing a model for how one should relate to the realm of politics—rather than disin-terest, the precondition of aesthetic pleasure turns out to be disengagement. Read through the lens of the city, aesthetic pleasure turns out to be a key component in The Spectator’s vision of how to live a good life as a privileged subject of a modern state.

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来源期刊

Nordic Journal of Aesthetics Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

发文量