坎特伯雷序言中的祈祷与文学艺术

IF 0.9 4区 社会学 Q2 CULTURAL STUDIES
Robert G. Davis
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引用次数: 0

摘要

本文将中世纪神学家坎特伯雷的安瑟伦的序读为一部寻找上帝的戏剧。它引导读者通过修辞发明的过程,与所有随之而来的风险,快乐和不满。文本打开了一个渴望的空间或缺口,用灵魂的声音说话,他急切地寻找(发明)上帝,但却只出现了缺席。对自己和上帝说话的“我”学会了不去缩小这个差距,而是在情感上和智力上栖居其中,就像修道演说家必须做的那样,当他把自己的创造性活动指向上帝时。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prayer and the Art of Literature in Anselm of Canterbury’s Proslogion
This article reads the Proslogion of the medieval theologian Anselm of Canterbury as a drama of seeking and finding God. It guides the reader through a process of rhetorical inventio, with all of its attendant risks, pleasures, and discontents. The text opens a space or gap of desire, speaking in the voice of the soul who seeks anxiously to find (invenire) God but turns up only absence. The “I” who speaks and addresses itself to itself and to God learns not to close that gap but to inhabit it, affectively and intellectually, just as the monastic rhetor must, when he directs his inventive activity to God.
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来源期刊
Representations
Representations Multiple-
CiteScore
0.60
自引率
0.00%
发文量
12
期刊介绍: An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture
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