澳大利亚音乐行业的性别经历和观念

IF 0.2 Q3 Arts and Humanities
Perfect Beat Pub Date : 2020-07-03 DOI:10.1558/prbt.39800
Hannah Mary Fairlamb, B. Fileborn
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引用次数: 1

摘要

本文报告了一项在线调查(n=207)的结果,该调查是关于在澳大利亚音乐行业工作的人对性别的经历和看法。本文从女性主义的角度出发,运用性别和男性霸权的理论来探讨这个行业在性别语境下的权力。文献显示,在世界范围内,女性和女孩在音乐行业经历了一系列困难,比如对她们技能水平的负面假设。关于性别和澳大利亚音乐产业的小型研究机构讨论了诸如澳大利亚流行音乐史上女性被遗忘之类的话题。本文报告的结果表明,女性最糟糕的经历通常与性暴力或不受欢迎的性挑逗有关;而男性最常与金钱有关。研究结果通过在一个研究不足的行业中对自我报告数据进行性别分析,为该领域做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Experiences and perceptions of gender in the Australian music industry
This article reports results from an online survey (n=207) about experiences and perceptions of gender from those working in the Australian music industry. Taking a feminist approach, theory on gender and hegemonic masculinity is used to discuss power in a gendered context in this industry. Literature shows women and girls experience a range of difficulties in the music industry worldwide, such as negative assumptions about their skill levels. The small body of research on gender and the Australian music industry has discussed topics such as the forgetting of women in Australian popular music history. Results reported in this article show that women’s worst experiences most often related to sexual violence or unwanted sexual advances; and men’s most often related to money. Findings contribute to the field by providing gendered analysis of self-reported data in an under-researched industry.
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来源期刊
Perfect Beat
Perfect Beat MUSIC-
CiteScore
0.60
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